by STEPHANIE FERRER-CARTER
John F. Kennedy, the 35th president of the United States of America, stated, “If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”
During this year’s Pride at the U, artists of all sexual preferences found a venue for their visions.
“Art is a big part of queer culture,” said Bonnie Owens, 21, a senior at the University of Utah and an intern at the LGBT Resource Center on campus. “It’s a big part of any culture, so I thought it was important that it was included.”
The theme of the 2007 Pride Week held Oct. 15-20 was “Culture with a Q.” Owens was inspired by the theme, and chose to revamp the idea of an art gallery as part of Pride Week.
“In the past it’s never been successful, but I really wanted it to run well this year,” Owens said.
The art show was originally titled “Beautifully Obscene,” but was renamed “The Good Stuff” after some concern over what would be displayed in the gallery located in the U’s student lounge.
“The best thing about the gallery is that it crosses so many different boundaries,” Owens said. “We’ve got staff, faculty, alumni, community members and students all in here.”
Though it was labeled a LGBTQ art gallery, Owens said anyone could submit their art. Artists did not have to describe the subject matter, just the dimensions of their work.
“Something like this is so odd,” Owens said. “It’s so queer to have a gallery designed for queer students and faculty. So it’s very, very liberating for an artist that’s having a hard time finding their niche. It’s a good place to be.”
A variety of art was displayed in the gallery, including photography, drawings, oil, water color, mixed media and pottery.
While some works were more subdued, the gallery did feature a series of nudes painted by a former alumna who lives in Santa Quin County. Owens said the woman found out about the gallery through a culture article in the Salt Lake Tribune and was eager to show her work, not only because the county did not have a gallery that would display the nudes, but also because two of the woman’s children are gay.
The gallery became a canvas of emotion and statement for some.
Orbin Rockford, 27, submitted five pieces from a series of 25 Sharpie and acrylic paint drawings to the gallery. The dark images portrayed, both in color and tone, stood out starkly from their clean, white backgrounds.
The inspiration came from an emotional break-up that happened while Rockford was in college at a Boston art school.
“I was in a relationship that was totally messed up,” Rockford said. “It was my first real relationship with a guy.”
Drawing, Rockford said, is a form of therapy, what he calls “instinct art.”
“It’s a great outlet,” he said. “It’s been about coming to terms with myself.”
But Rockford said he does not want his artwork to be defined only by his sexuality.
“It’s very much a part of my work, some pieces more than others,” he said.
Aside from putting the show together, Owens also submitted her own series of black and white photographs. Each one featured student leaders and activists from the U’s LGBTQ groups.
“They [Owens’ photographs] were designed to be shown, so they’re a little more apparent,” she said. “They’re something that you can look at them and say, why is this queer, what is going on here.”
The pieces were on display for the week, and the gallery full of artwork was proof of a goal accomplished, according to Owens.
“Pretty much everyone from different identities and cultures submitted something, which is something the resource center has had a hard time with in the past,” Owens said. “A lot of events this year cater to people who are often forgotten in programming like this, so people of color, transgender individuals, women, straight allies especially. So it’s great to see some of their work in this.”